Monthly Archive for March, 2006

Upcoming Gig at the Vatican Bar

I’ll be per­form­ing at the Vat­i­can Bar this Thurs­day, 17th March, 2006 at 272 City Road, South Mel­bourne, 3205, Aus­tralia. If you’re going to come, get there before 10:30pm as the event is also the after party for World War 1/Proof con­cert (which holds 1,000 peo­ple) and fin­ishes at 11pm. The Vat­i­can has room for just over 300 pay­ing people.

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Day 3 at the Recording Studios

Day 3 was offi­cially the day we began work on orig­i­nal mate­r­ial. On Thurs­day, a few days before day 3 of record­ing, Mike and myself worked on an orig­i­nal called “Har­mony”, which started record­ing basics in the stu­dio with Clarence. Day 3 saw the addi­tion of new tracks with Mike’s sexy new gui­tar, and build­ing up the instrumentation.

One of the biggest issues with lay­ing down vocals for these tracks is how lit­tle time is actu­ally allo­cated for famil­iar­iz­ing with the songs. I wish I could be given a few weeks to really learn the song and deliver smash­ing vocals, but the real­ity is that we’re look­ing for a fast turnover, and time is a lux­ury we can­not afford. I’m going to have to go under the maxim of put in the work, get the abil­ity up there, and go in with the right mindset.

I’ve been really pay­ing atten­tion to how peo­ple are talk­ing lately, and been more con­scious how I pro­nounce my words. Time to get the right accent into the songs boy-o!

It’s great watch­ing Clarence and Mike get psy­ched up about a song. Clarence is adamant that it’s a hit-hit and their belief just fur­ther edges me on to deliver on the prod­uct at the end of the day.

The last 10% of the day was spent on get­ting down rough ideas for another new song called “Dia­mond Rings”. Clarence also thinks this one is a hit (haha Michael made the astute com­ment that the word hit is being thrown around a lot lately — the last four songs in fact) but the most sur­pris­ing thing that came out of it, was how Clarence and Michael inter­preted the song in a way which I would’ve never really thought. It’s def­i­nitely sound­ing a lot bet­ter than I envi­sioned, and they’re lay­ing down a fan­tasy themed instru­men­tal for the intro­duc­tion to the album. HELL YEAH!

The best thing about watch­ing every­one work together is watch­ing syn­ergy in progress. Clarence and Michael bounc­ing off each other, tak­ing my ideas and run­ning with it, get­ting all exited, it really makes the record­ing day worth­while. What I never tire of is watch­ing Michael happy when he hears the song. He trans­forms into this lit­tle kid with this wide grin, and you just know that things are going to be A-OK!

kym huynh signature Day 3 at the Recording Studios

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Day 2 at the Recording Studios

Eter­nally called “The T.V. Track Day”, we spent it record­ing and comp­ing the vocals for a new song called “Super­Fly”, an incred­i­bly catchy, and piss-your-pants funny-in-the-lyrics-sense song done by Ger­man songwriters.

I would’ve liked to have had more time to learn the song and famil­iar­ize myself with the song, but the neces­sity of learn­ing a song quickly and per­form­ing it to be recorded is part and par­cel of what this entire project is about, and one of the things I’m hav­ing to pick up is learn­ing how to pick up the songs ‘on-the-fly’ (so to speak) so they can be recorded. I guess the actual part of get­ting bet­ter at per­form­ing the song comes with later per­for­mances and more prac­tices, maybe this is why live per­for­mances are always so much better.

We started the diary aspect of doc­u­men­tary, where I get to divulge how I’m feel­ing at the time. It is also where I get to spill ran­dom thoughts from my mind.

I’ve been spend­ing a lot more time hav­ing a lis­ten to my friends’ speech pat­terns and how they talk. A few pat­terns are emerg­ing and it’s help­ing me address how to speak prop­erly. No more drop­ping the t’s and d’s for me!

kym huynh signature Day 2 at the Recording Studios

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